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Tales from the Doctor’s Office

03/27/2009 By 1 Comment
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Last night I finished reading the book, The Orange Wire Problem and Other Tales from the Doctor's Office, just off the presses, written by Dr. David Watts. His first book of stories, published in 2005, was Bedside Manners; you may have read it. This new book is another delight, a treasure, comprised of vignettes shedding more light on the doctor-patient relationship. Watts is not only a doctor, he's a gifted writer and poet, and his brand of storytelling comes across elegantly on every page of his book. I'm not suggesting you write like he writes. Don't. To take on the style of someone else is the best way to choke your story.  If you attempt to write by imitating the technique and voice of someone else, you will kill the authenticity of your story. Find your unique voice by trusting yourself and the process. To be sure, the stories I've collected for the TellTale Souls' anthology, written by "ordinary" people, are beyond compare. The Orange Wire Problem review I wrote is

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Women Tend & Befriend, Men Fight or Flee

03/19/2009 By 7 Comments
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The Story Woman says, "Don't do it!" IT'S DANGEROUS TO YOUR HEALTH TO PUT YOUR GIRLFRIENDS ON THE BACK BURNER UCLA STUDY ON FRIENDSHIP AMONG WOMEN By Gale Berkowitz A landmark UCLA study suggests friendships between women are special. They shape who we are and who we are yet to be. They soothe our tumultuous inner world, fill the emotional gaps in our marriage, and help us remember who we really are. By the way, they may do even more. Scientists now suspect that hanging out with our friends can actually counteract the kind of stomach-quivering stress most of us experience on a daily basis. A landmark UCLA study suggests that women respond to stress with a cascade of brain chemicals that cause us to make and maintain friendships with other women. It's a stunning find that has turned five decades of stress research---most of it on men---upside down. "Until this study was published, scientists generally believed that when people experience stress, they trigger a hormonal

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Write Passion and Emotion into Your Story

03/10/2009 By 5 Comments

Since I've received so many questions asking me how to get more passion and emotion into writing, in general, and "Mother Memoir," in particular, I'm hoping the following thoughts will shed more light on the subject. We each see people and actions in a special light - a light stemming uniquely from the very core of each of us.  As a collector of stories, I revel in this light; it is this reflection of ourselves that ignites the radiant glow of the prismatic colors making up the spectrum of our collective souls. The best way to write passion and emotion into your stories is to put yourself in your characters' shoes.  In each particular circumstance, take yourself to that place where the character you're writing about is. With a little practice, you will learn to use your innate powers of imagination to feel what the other person is feeling, so that you will infuse your story with emotional intensity and enthusiastic passion. By envisioning the scenes, you will come up with ideas

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VIEW FROM A CAGE by Colette Hosmer, Sculptor

03/01/2009 By 4 Comments
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From my position on the worn, overstuffed chair, I can see outside the window and through the bars of my second story balcony to a wall of similar Chinese apartments beyond the narrow alleyway.  A neighbor across the way has an identical balcony, only the rusted bars of her confine support a few potted plants and the door to their kitchen is flanked by two red Spring Festival banners with gold letters – another banner is pasted horizontally across the top.  A caged bird flutter-jumps from perch to the top the cage to perch to bottom and back again. The woman of the house is slight, middle aged and gentle looking – neatly bobbed hair frames her round, expressionless face.  Sometimes I see her sweeping the balcony floor or watering her two plants, while the husband watches television at a deafening volume.  A small window reveals images shouting from the screen in 1 to 2 second intervals. It is always on, and he is always sitting in front of it, his presence exposed by clouds of

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